• 2010
  • Black, Ezrha Jean. "Postconceptual Godfather." Artillery (July/August) p. 20-23.
  • Drohojowska-Philp, Hunter. "THE BORING AND THE BEAUTIFUL." artnet Magazine (14 July), www.artnet.com.
  • Knight, Christopher. "Face of change." Los Angeles Times, 28 June, p. D1, D8.
  • Pagel, David. “Art review: John Baldessari at Margo Leavin Gallery.” Los Angeles Times (online), 4 June 2010; http://latimesblogs.latimes.com/culturemonster/. In print as: Pagel, David. “What’s written in the emptiness.” Los Angeles Times, 4 June 2010, p. D19.
  • Drohojowska-Philp, Hunter. "Critic's Pick: Roy Dowell." ARTnews (May), p. 128.
  • Heartney, Eleanor. "Jeffrey Vallance: Tanya Bonakdar." Art in America (April), p. 123-124.
  • Taft, Catherine. “Allen Ruppersberg: Santa Monica Museum of Art.” Artforum (March), p. 242-43.
  • Viegener, Matias. “Allen Ruppersberg: You and Me or The Art of Give and Take.” X-TRA (Spring), p. 59-63.
  • Pagel, David. “Between relevance, obscurity.” Los Angeles Times (12 February), p. D20.
  • Wagley, Catherine. “Baldessari’s Beast.” Daily Serving (19 February), www.dailyserving.com.
  • Israel, Alex. "Myths of Decline." Artforum (January), p. 67-70.
  • Meyer, Richard. "Miss Lynda." Artforum (January), p. 178-181.
• 2009
  • Birnbaum, Daniel. “Best of 2009” (John Baldessari: Pure Beauty). Artforum (December), p. 164.
  • Ellegood, Anne. “Best of 2009” (California Conceptualism: “Allen Ruppersberg: You and Me or the Art” (Santa Monica Museum of Art) and “William Leavitt, Allen Ruppersberg, Ger van Elk” (Margo Leavin Gallery)). Artforum (December), p. 204-205.
  • Friedman, Martin. “Up Against The Wall with Lynda Benglis.” Art in America (December), p. 102-109.
  • Kreimer, Julian. “Shape Shifter.” Art in America (December), p. 94-101.
  • Lehrer-Graiwer, Sarah. “William Leavitt, LAXART.” Artforum (December), p. 243.
  • Ruppersberg, Allen. “Best of 2009: Walker Evans, Metropolitan Museum of Art, New York.” Artforum (December), p. 188-191.
  • Harvey, Doug. “Outside in: Roy Dowell, Jeffrey Vallance, Two crackpots, a couple of borderline cases and one regular sort of fellow.” LA Weekly, 12 November.
  • Melrod, George. “Artist profile: Roy Dowell,” art ltd. (November/December) p. 68-69.
  • Berardini, Andrew. “Vallance in West Hollywood.” Artslant (online), 26 October.
  • Bloom, Barbara. “Ha! Ha! I Forgot to Laugh!” Frieze (October), p. 170-175.
  • Drohojowska-Philp, Hunter. “Ruppersberg Time.” arnet Magazine, 6 October, http://www.artnet.com/magazineus/features/drohojowska-philp/allen-ruppersberg10-02-09.asp.
  • Morgan, Jessica. "Somebody To Talk To." Tate Etc. (Autumn), http://www.tate.org.uk/tateetc/.
  • Tallman, Susan. "Searchin' Every Which a-Way." Art in America (October), p. 139-145.
  • Weissman, Benjamin. “Men Swallowing Swords, Men Blowing Out Candles.” Frieze (October), p. 164-169.
  • Wright, Karen. “John Baldessari” (interview), Art in America (October), p. 152-161.
  • Donegan, Cheryl. "Allen Ruppersberg" (interview), BOMB (Fall), p. 80-87.
  • Drohojowska-Philp, Hunter. “Nine Lives, Hammer Museum, Los Angeles.” ARTnews (September), p. 119.
  • Galloway, David. “Provocative Visions of Apocalypse.” The New York Times, 25 September.
  • Knight, Christopher. “You could think of it as America’s attic.” Los Angeles Times (Calendar), 17 September, p. D12-13.
  • Barnes, Steve. "Sarah Charlesworth: Susan Inglett." ARTnews (Summer), p. 128.
  • Smith, Roberta. "Art or Ad or What? It Caused a Lot of Fuss." The New York Times (The Arts), 25 July, p. C1, C5.
  • Vallance, Jeffrey. "The Nixon Channel." Frieze (Summer) p. 154-155
  • Hudson, Suzanne. "Mungo Thomson, John Connelly Presents." Artforum (Summer), p. 340-341.
  • Ruble, Casey. "Mungo Thomson: John Connelly." Art in America (June/July), p. 190, 192.
  • Yablonsky, Linda. “You Had to Be There.” ArtNews (June), p. 71-75.
  • Drohojowska-Philp, Hunter. “An Alexis Smith Revival.” Aesthetica, 19 May.
  • Maine, Stephen. “Tony Oursler, Metro Pictures.” Art in America (May), p. 146.
  • Pagel, David. "Everything old is new again." Los Angeles Times (Calendar), 8 May, p. D14.
  • Watters, Sam. “Alexis Smith, collage artist uprooted.” Los Angeles Times (Home & Garden), 16 May.
  • Buckley, Annie. Review. Artforum (online, 9 April). http://www.artforum.com.
  • Harvey, Doug. "Peripheral Visions: Nine of L.A.'s Square Pegs Get Hammered." LA Weekly, 2 April.
  • Subotnik, Ali. "Jeffrey Vallance." Nine Lives: Visionary Artists from L.A. (Los Angeles: Hammer Museum) p. 102-113
  • Yablonsky, Linda. "Photo Play: The Social Life of the Pictures Generation." Art in America (April), p. 102-109.
  • Chamberlain, Colby. Review. Artforum (online). 24 March. http://www.artforum.com/picks.
  • Pincus, Robert. "Animal Kingdom." The San Diego Union-Tribune, 19 March, p. 25-26.
  • Yapelli, Tina, ed. "Jeffrey Vallance." animalkind (San Diego, CA: University Art Gallery, San Diego State University) p. 52-55.
  • Plagens, Peter. "The New Real." Art in America (February), p. 67-70, 72.
  • Paterson, Carrie. "Gary Simmons at Margo Leavin Gallery." Artillery (January/February).
  • Santiago, Fabiola. “’Island’ forecasts a bleak future.” Miami Herald (Living), 11 January.
• 2008
  • Bluhm, Erik. “William Leavitt.” CBO8 (Newport Beach, CA: Orange County Museum of Art), p. 140 – 143.
  • Khadivi, Jesi. Review, Artweek 39, no. 10 (December/January), p. 16.
  • Lawes, Viv. "William Leavitt: layers of meaning." The Art Newspaper (Art Basel Miami Beach Daily Edition), 5 December, p. 15.
  • Miles, Christopher. Brenna Youngblood: Exhibition Review. Artforum, vol. 47, no. 4 (December), p. 310-311.
  • Millard, Coline. Review. Afterall (online). 2 December. http://www.afterall.org.
  • Bell, Kim. "Artist Profile: Brenna Youngblood." art ltd. (November/December), p. 68 - 69.
  • Knight, Christopher. "Behind 'Smoke,' fiery messages," Los Angeles Times, 7 November, p. E18.
  • Oldham, Alison. “Bohemian artist inspired by poets.” Hampstead & Highgate Express. 6 November 2008.
  • Berardini, Andrew. “Psychedelic Astronautical Pranksterism: Mungo Thomson’s godstruck truths.” LA CityBeat, 15 October.
  • Donohue, Marlena. Brenna Youngblood: Exhibition Review. ArtSceneCal.com (October).
  • Frankel, David. "Painting: Now and Forever, Part II." Artforum (October), p. 379 - 380.
  • Gonzales, Elyse. Shana Lutker, Anna Sew Hoy, Brenna Youngblood. Exhibition brochure for California Biennial. Santa Barbara, CA: University of California Art Museum.
  • McClelland, Freya. Review. Culture 24 (online). 8 October. http://www.culture24.org.uk.
  • Mizota, Sharon. “The details tend to accumulate.” Los Angeles Times (Calendar), 10 October, p. E19.
  • Ore-Giron, Eamon. “Brenna Youngblood.” CB08 (Newport Beach, CA: Orange County Museum of Art), p. 212-213.
  • Myers, Holly. “Beauty resides there, in the void.” Los Angeles Times (The Guide, Around the Galleries), 15 August.
  • Rosenberg, Karen. "The Future As Disruption." New York Times (Art in Review), 1 August.
  • Chamberlain, Colby. “Critics’ Picks: The Future as Disruption.” Artforum.com (July).
  • Hudson, Suzanne. “Mungo Thomson.” Los Angeles, CA: UCLA Hammer Museum.
  • Karapetian, Farrah. “Mungo Thomson at the Hammer.” ArtSlant.com (July).
  • Mizota, Sharon. Review. art on paper (July/August), p. 70 – 71.
  • Myers, Holly. “Inspired by the Santa Ana winds.” Los Angeles Times (Arts & Culture), 18 July.
  • Allan, Stacy. Mungo Thomson: Exhibition Review. Modern Painters (June), p. 94.
  • Hudson, Suzanne. "Still Seeking: Esalen and the New New Age." Parkett no. 82 (May), p. 16-19.
  • Tumlir, Jan. "Jeffrey Vallance." Artforum (April) p. 278-279.
  • Gopnik, Blake. “Indelible Impression: At the Whitney Biennial, Several Artists’ Works Linger in Memory.” The Washington Post, Friday, 7 March, p. C1.
  • Konarides, Carole Ann. "William Leavitt, Allen Ruppersberg, and Mungo Thomson." X-TRA, vol. 10, no. 3 (spring), p. 49-54.
  • Stunda, Hilary. "Sarah Charlesworth: Baldwin, Aspen." ARTnews (March), p. 146.
  • Halpern, Dan. “Darkness Visible.” Men’s Vogue (February), p. 98-103, 132-133.
  • Herbert, Martin. "Filling the Void: The Art of Mungo Thomson." Artforum, vol. 46, no. 5 (January), p. 258 - 263.
  • Miles, Christopher. "Robert Longo at Margo Leavin Gallery." LA Weekly (Art Around Town), 8 January, p. 35.
  • Mizota, Sharon. "Jeffrey Vallance: Belief System at Margo Leavin." art ltd. (January) p. 17.
  • Swan, Ethan, ed. “Lynda Benglis.” Bowery Artist Tribute, vol. 1 (New York, NY: New Museum), p. 8-9.
• 2007
  • Buckley, Annie. "Jeffrey Vallance." Artforum.com Critic's Picks (November).
  • Colpitt, Frances. "John M. Miller at Margo Leavin Gallery." Art in America (November), p. 228.
  • Frank, Peter. "Pick of the Week: Sarah Charlesworth." LA Weekly, 17-23 November, p. 60.
  • Knight, Christopher. "Exhibit houses modern relics." Los Angeles Times, 30 November, p. E30.
  • Mizota, Sharon. Review. ArtNews (November), p. 230.
  • Kim, Christine Y. “3 Qs: New Acquisition.” Studio (Fall/Winter 2007), p. 25.
  • Pagel, David. "Collective Fantasies take flight." Los Angeles Times (Calendar), 31 August, p. E28.
  • Miles, Christopher. Review. Flaunt (July), p. 182.
  • Tumlir, Jan. “Sci-Fi Historicism, Part 3: Character Animation in Contemporary Los Angeles Art.” Flash Art, July – September, p. 120 – 124.
  • Summers, Robert. Review. artUS 19 (Summer), p. 21.
  • Pagel, David. "It's time for lots of close-ups." Los Angeles Times, 13 April, p. E20.
  • “Allen Ruppersberg Curates.” Artforum (March), p. 288-97.
  • Griffin, Tim. “On Allen Ruppersberg.” Artforum 65 no. 7 (March), p. 286-7.
  • Duncan, Michael. “Dowell's Drive-By Abstraction.” Art in America (January), p. 132-135.
  • Myers, Holly. "A pattern and a potency develop." Los Angeles Times, 26 January, p. E26.
• 2006
  • Thomson, Mungo. “Self-Portrait/Autoritratto.” Tema Celeste (July/August), p.62-63.
  • Myers, Holly. “Photo Installations That Aim High.” The Los Angeles Times, 23 June, p. E14.
  • Harvey, Doug. “A full serving of Rauschenberg, with a side of Youngblood and Hundley.” LA Weekly, 24 May.
  • Drohojowska-Philp, Hunter. “Deadpan Magic.” artnet magazine (April).
  • Frank, Peter. Roy Dowell: Exhibition Review. LA Weekly, 13 April, p. 58.
  • Myers, Holly. “An artist’s inspired growth.” Los Angeles Times (31 March), p. E24.
  • Kite, Kristina. “Los Angeles Critics’ Pick: Allen Ruppersberg.” Artforum.com (February).
  • Ford, Kianga. "Brenna Youngblood." Los Angeles, CA: UCLA Hammer Museum, 2006.
  • Knight, Christopher. "Between looking and being looked at." Los Angeles Times, 27 January, p. E26.
  • Los Angeles, 1955-1985 (Paris: Centre Pompidou), p. 242-243.
  • Matsui, Midori. "Mungo Thomson." Cream IV, London: Phaidon Press.
  • Peponides, Meropi. “From College to Collages.” Daily Bruin, 12 January.
  • Rich, Sarah K. Couples Discourse (University Park, PA: The Pennsylvania State University Press), p. 108.
• 2005
  • Bluhm, Erik. "Minimalism's Rubble: On William Leavitt's and Bas Jan Ader's Landslide (1969-70)." artUS (October/November), p. 14-17.
  • Megan Ratner. "Mungo Thomson: John Connelly Presents, New York." Frieze (October), p. 233.
  • Miles, Christopher. Robert Longo: Exhibition Review. Los Angeles Times (Entertainment), Friday, 7 October, p. E20.
  • Myers, Terry R. "John Baldessari: Prima Facie, Margo Leavin Gallery, Los Angeles." Modern Painters (September), p. 110.
  • Knight, Christopher. "From 1,000 words down to one. Los Angeles Times, 15 April, p. E24-25.
• 2004
  • Miles, Christopher. Mungo Thomson: Exhibition Review. Artforum (November), p. 230.
  • Robbins, David. “Concrete Comedy: A Primer.” Artforum (November), p. 204-209.
  • Myers, Holly. “An object lesson in Americana.” Los Angeles Times, 1 October, p. E18.
  • Pagel, David. “Giving voice and video to sculpture.” Los Angeles Times, 7 May, p. E18-19.
  • Miles, Christopher. Roy Dowell: Exhibition Review. Artforum (March), p. 189.
  • Myers, Holly. “Erudite panorama rewards all who see it.” Los Angeles Times, 26 March, p. E32.
  • Frank, Peter. “Art Picks of the Week: Alexis Smith, Martha Alf.” LA Weekly, 2 January, p. 95.
• 2003
  • Hainley, Bruce. "Sarah Charlesworth: Designs For Living, Margo Leavin Gallery." Artforum (December), p. 151.
  • Pagel, David. “Anger drives political messages.” Los Angeles Times, 28 November, p. E32–33.
  • Muchnic, Suzanne. “Into the mind of the shaman.”Los Angeles Times, Sunday, 3 August, p. E41.
• 2002
  • Douglas, Sarah. Review. The Art Newspaper (November), p. 9.
  • Harvey, Doug. “Baldesaurus Rex.” LA Weekly, 22-28 November, p. 47.
  • Pagel, David. “Baldessari plays with puzzles.” Los Angeles Times, Friday, 8 November, p. E22.
  • Duncan, Michael. “Self-Created Worlds.” Art in America (October), p. 60-65.
  • Knight, Christopher. “Pandora’s box, opened.” Los Angeles Times, 27 October, p. E46-47.
  • Myers, Holly. Mungo Thomson: Exhibition Review. Los Angeles Times, 24 May, p. F26.
  • Verwoert, Jan. “The Magic Hour.” Frieze (March), p. 84.
  • Colpitt, Frances. Review. Art in America (February), p. 132.
• 2001
  • Duncan, Michael. “Mosaics, Memories and Merchandise.” Art in America (November), p. 131-35.
  • Zellen, Jody. Allen Ruppersberg: Exhibition Review. Art Papers 25 (July/August), p. 54.
  • Filler, Martin. “When a Long Eclipse Yields to Light.” The New York Times, 15 April.
  • Heiser, Jörg. “Frosty Reception: Jörg Heiser Chills Out at the Icehotel.” Frieze (April), p. 50-51.
  • Kimmelman, Michael. “In the Studio With Tony Oursler: A Sculptor of the Air With Video.” The New York Times, 27 April.
  • Colpitt, Frances. “Allen Ruppersberg at ArtPace.” Art in America 3 (March), p. 140.
  • Drohojowska-Philp, Hunter. “His Never-Ending Story.” Los Angeles Times (Calendar), 11 March, p. 4, 74.
  • Knight, Christopher. “A Lively Conversation in Allen Ruppersberg’s Ongoing ‘Novel.’” Los Angeles Times, 23 March, p. F24.
  • Weingart, Brigitte. “Entrückung.” Texte Zur Kunst (2001), p. 183-189.
  • Zellen, Jody. Exhibition review. Art Paper (March/April) p. 52-53.
  • Morgan, Margaret. "Mungo Thomson: Don't Look Back." Artext (February-April), p. 50-51.
  • Valdez, Sarah. Mungo Thomson: Exhibition Review. Art in America (February), p. 150.
  • Miles, Christopher. John M. Miller Edit: Paintings 2001. Exhibition catalogue. Santa Monica, CA: Patricia Faure Gallery.
• 2000
  • Knight, Christopher. “Confronting Perception, Memory and Imagination.” Los Angeles Times, 27 October, p. F26.
  • Pagel, David. “Realism and Imagination Coexist in ‘Drawing V.’” Los Angeles Times, 25 August, p. F24.
  • Frank, Peter. “Art Picks of the Week: Roy Dowell.” LA Weekly, 7 July, p. 152.
  • Pagel, David. “Some Theatrical Reflections on Alienation and Illusion.” Los Angeles Times, 16 June, p. F2, 32.
  • Muchnic, Suzanne. "A Projection of the Imagination." Los Angeles Times (Calendar), 2 April, p. 6, 86.
  • Pagel, David. “Fresh Riffs on a Theme.” Los Angeles Times, 1 March, p. F1.
  • Miles, Christopher. Review. Artforum (January), p. 118.
• 1999
  • Pagel, David. “Object Lessons From the Smaller World of Smith.” Los Angeles Times, 20 October, p. F30.
  • Ise, Claudine. "An Exhibit of an Exhibit: Prina Looks Back." Los Angeles Times, 31 May, p. F6.
  • Pagel, David. "John M. Miller's Paintings Angle to Get the Viewer's Attention." Los Angeles times (Calendar), 12 March, p. F32.
  • Frédéric Paul. “Interview with Allen Ruppersberg” in Allan McCollum. Allen Ruppersberg: Books, Inc. Exhibition catalogue. Le Fonds Régional d’Art Contemporain, Limoges, France.
  • McCollum, Allan. Allen Ruppersberg: Books, Inc. Exhibition catalogue. Limoges, France: Le Fonds Régional d’Art Contemporain.
  • Pagel, David. "Sarah Charlesworth-Magical Forms." Los Angeles Times, 28 January, p. F29.
• 1998
  • Simmons, Gary. “John Baldessari: Starting with Existing Things.” Flash Art (October), p. 110-112.
  • Ise, Claude. "Gary Simmons at Margo Leavin." Art Issues (September/October) p. 44.
  • Linker, Kate. “Artifacts of Artiface.” Art in America (July), p. 74-79, 106.
  • Drohojowska Philp, Hunter. “A Taste for Mischief.” Los Angeles Times (Calendar), 8 February, p. 3, 61.
• 1997
  • Drohojowska Philp, Hunter. Roy Dowell: Exhibition Review. Art & Auction (October), p. 64.
  • Frank, Peter. “Art Pick of the Week: Roy Dowell.” LA Weekly, 31 October-6 November, p. 152.
  • McKenna, Kristine. “Roy Dowell’s Mixed Bag of Tricks.” Los Angeles Times (Calendar), 19 October, p. 61-62.
  • Pagel, David. “When Details Add Up to a Sign of Something Big.” Los Angeles Times, 10 October, p. F28.
  • Muchnic, Suzanne. “Updating the Getty.” Los Angeles Times, 12 September, p. F1.
  • Frank, Peter. “Art Picks of the Week: Tony Oursler, Lutz Bacher.” LA Weekly, 11-17 April, p. 144.
  • Knight, Christopher. “An Enlightened Twist on Tradition.” Los Angeles Times, 30 April, p. F1, F5.
  • McKenna, Kristine. “Turning Gray to Black and White.” Los Angeles Times, 20 April, p. 54-55.
  • Kandel, Susan. “Facing Encounter With Surrealist Edge.” Los Angeles Times, 7 March, p. F20.
• 1996
  • Knight, Christopher. “Filling a Canvas with Ideas.” Los Angeles Times, 30 December, p. F1, F8.
  • Cotter, Holland. “Optic Nerve." Art in America (June), p. 92-93, 95.
  • Gerstler, Amy. Allen Ruppersberg: Exhibition Review. Artforum (Summer), p. 113-14.
  • Iannaccone, Carmine. Allen Ruppersberg: Exhibition Review. Art Issues (Summer), p. 40.
  • Duncan, Michael. Review. Art in America (April), p. 122-23.
  • Pagel, David. “Ruppersberg Opens Volumes of Narrative Possibility.” Los Angeles Times, Thursday, 11 April, p. F3.
  • Darling, Michael. Review. Art Issues (January/February), p. 44.
  • Kornblau, Gary. "Review: 1965-1975: Reconsidering the Object of Art," Art Issues (January/February), p. 36-37.
  • Pagel, David. John M. Miller: Passage, Paintings 1995-1996. Exhibition catalogue. San Francisco: Modernism.
• 1995
  • Frank, Peter. “Art Pick of the Week.” LA Weekly, 16 November, p. 134.
  • Kandel, Susan. “Happy Convergence.” Los Angeles Times, 16 November, p. F2-3.
  • Melrod, George. “Post Pop Pizzazz.” Art & Antiques (November), p. 39.
  • Pagel, David. “Mini-Narratives.” Los Angeles Times, 1 June, p. F3.
  • Kandel, Susan. "Restoring Ceremony to the Experience." Los Angeles times (Calendar), 23 February, p. F10.
  • Goldstein, Ann & Anne Rorimer. Reconsidering the Object of Art: 1965-1975 (Los Angeles: Museum of Contemporary Art), p. 162-165.
• 1994
  • Knight, Christopher. "Beyond the Buzz of Art." Los Angeles Times (Calendar), 2 October, p. 63-64.
• 1993
  • Hickey, Dave. “Roy Dowell’s Collages.” Art Issues 30 (November/December), p. 17-19.
  • Scarborough, James. Review. Flash Art (October), p. 88-89.
  • Muchnic, Suzanne. Review. ARTnews (Summer), p. 184.
  • Duncan, Michael. "L.A.: The Dark Side." Art in America (March) p. 40-43.
  • Pagel, David. Review. Los Angeles Times, 18 March.
• 1992
  • Pagel, David. Review. Forum International (September/October), p. 102.
  • McKenna, Kristine. “Frames of Reference.” LA Style (April), p. 62-67.
  • Pagel, David. "Six Intriguing Abstractions." Los Angeles Times (Calendar), 3 April, p. F22.
  • Drohojowska, Hunter. “A Cut Above.” Los Angeles Times (Calendar), 22 March.
• 1991
  • Grynsztejn, Madeleine. “Alexis Smith.” Journal of Contemporary Art (Fall/Winter), p. 102-123.
  • Kandel, Susan. "L.A. in Review." Arts Magazine (May) p. 109.
  • Kornblau, Gary. “John M. Miller at Fred Hoffman.” Art issues (May/June), p. 38.
• 1990
  • Nilson, Lisbet. “Alexis Smith: Lost in America.” Angeles (July), p. 42, 44.
  • Pagel, David. Review. Art Issues (Summer), p. 32.
  • Weissman, Benjamin. Review. Artforum (Summer), p. 173.
  • Garcia-Marquez, Francesca. “Oldenburg/van Bruggen: Il Coltello Affetta-Muro.” Domus (May), p. 14-15.
• 1989
  • McKenna, Kristine. “’Past Lives’ Explores the Terrors and Perils of Childhood.” Los Angeles Times, 23 December, p. F15.
  • Oldenburg Sculpture to be Permanently Installed on the Facade of Margo Leavin Gallery, August
  • Vallance, Jeffrey. "Blinky the Friendly Hen." Art Issues (Summer) p. 17-20
  • "Photography." The New Yorker (Table of Contents), 24 April, p. 17.
  • Kurcfeld, Michael. “The Artist As Sleuth.” LAWeekly, 27 January-2 February, p. 75, 89.
  • Colpitt, Frances. John M. Miller: Paintings 1988-1989. Exhibition catalogue. Santa Monica, CA: Fred Hoffman Gallery.
  • Yard, Sally. Robert Morris: Selected Work 1961-1988 (exhibition brochure). Los Angeles: Margo Leavin Gallery.
• 1988
  • Pincus, Robert L. Review. Art in America (December), p. 161.
  • Suderburg, Erika. “Watching the Myth Unfold.” Artweek, 16 April, p. 7.
  • Weisman, Benjamin. “Pick of the Week.” LA Weekly, 22-28 April, p. 123.
• 1987
  • Drohojowka, Hunter. “Alexis Smith R Tist.” Artforum (October), p. 86-90.
  • Knight, Christopher. "Sixties sculpture relieves summer doldrums." Los Angeles Herald Examiner, 17 July, p. 33, 37.
  • Selwyn, Marc. "Sarah Charlesworth: Cibachrome prints at Margo Leavin Gallery." LA Weekly, 8-14 May, p. 44
  • Larsen, Susan C. Burgoyne Diller (exhibition brochure). Los Angeles: Margo Leavin Gallery.
• 1986
  • Drohojowska, Hunter. "Artists the Critics are Watching." ArtNews (May) p. 81.
• 1984
  • Drohojoska, Hunter. "Jeffrey Vallance, Rosamund Felsen Gallery." Flash Art (January) p. 37-38.
  • Pincus, Robert. "Jeffrey Vallance, Rosamund Felsen Gallery." Artforum (January) p. 82.
• 1983
  • Delgado, Mike. "Pick of the Week." L.A. Weekly, 1-7 July, p. 113
  • Muchnic, Suzanne. "Black and White" Review. Los Angeles Times (Part VI), 8 July, p. 2-3.
  • Muchnic, Suzanne. Lynda Benglis: Exhibition Review. Los Angeles Times (Calendar), 1 April, Part VI, p. 12.
  • Wilson, William. Review. Los Angeles Times (Calendar), 12 January, Part IV.
• 1982
  • Owens, Craig. "Michael Uhlenkott and Jeffrey Vallance at LACE." Art in America (March) p. 155-156
  • Bishop, Joe. “Pick of The Week.” LA Weekly, 5-11 February.
  • Wilson, William. Review. Los Angeles Times (Calendar), 22 January, Part VI, p. 10.
• 1981
  • Singerman, Howard. "Jeffrey Vallance, Rosamund Felsen Gallery." Artforum (October) p. 84-85.
• 1980
  • Armstrong, Richard. “John Miller, Riko Mizuno Gallery.” Artforum (April), p. 85-86.
• 1979
  • Lawson, Thomas. "Every Picture Tells a Story Don't It?" Reallife no. 2, p. 10-12.
• 1978
  • Wilson, William. “Some politicians get right on it.” Los Angeles Times, 21 April.
• 1977
  • Muchnic, Suzanne. "Lynda Benglis, Sculptural Knots." ArtWeek, 4 June, p. 1, 20.
  • Seldis, Henry J. Lynda Benglis: Exhibition Review. Los Angeles Times (Art Walk), 27 May, Part IV, p. 18.
• 1974
  • Art & Project. Bulletin 80: William Leavitt (October).
• 1973
  • Winer, Helene. “Scenarios/Documents/Images I.” Art in America (March), p. 42-46
• 1972
  • Art & Project. Bulletin 58: William Leavitt (July/August).
  • Winer, Helene. Bas Jan Ader, William Leavitt, Ger Van Elk. Claremont: Pomona Collage Gallery, 1972.
• 1970
  • Plagens, Peter. "William Leavitt, Eugenia Butler Gallery." Artforum (September), p. 81-83.